The thing about writing songs that you’re gonna sing is that you always cast yourself in the lead role.
It’s a lot of fun to do that Orson Welles thing, where you develop the point of view in your writing and then bring that point of view across with your own voice. Listening to a song you wrote come together is infinitely more satisfying than getting a cover to work. Because when you’re singing your own song, you are bringing across something that was just a notion before. The words on paper are just a tease, songs are to be heard and hearing something you thought up is the most fun part of the process. It’s better than writing, editing, or performing.
The problem is if you’re the singer for all your songs you can only be who you are, and sometimes you’re the wrong person for the part.
If I wrote a song about a jockey it would be bullshit, or it would have to be funny, because I’m very tall. That song would have a crack in it from the beginning and any work I did on it would be building on that cracked base.
So sometimes you as the singer get in the way of you as the writer.
I probably started a hundred songs with a man’s complaints about a woman. I will probably write a hundred more. Conflict is the source of a compelling story and that’s the absolute easiest conflict for me to build a song around.
But before to long that genre of song starts to sound unbalanced and worn thin. I really wanted to give the object of all that male aggression a chance to answer back.
And that’s where Amanda comes in. She really is like an actor in the way she can embody a song. She can be sexy, she can be mean, she can give as well as she takes, but the most important difference is the simplest she sings with a woman’s voice.
The song is beyond simple, it’s essentially “A Hit the Road Jack” rehash, but the performance makes a huge difference in it.
Last Friday, the Free Write Jail Arts and Literacy program held a book release and art show for the young men and women in its program. What makes this gallery show different from others is that all the featured poets, painters and artists created their work while in the Cook County Juvenile Detention Center, where many of the artists are still held.
The book being released, entitled Escape Route, is the fifth anthology that Free Write has put together. In its introduction, program directors Amanda Klonsky and Ryan Keesling describe what they feel Free Write does for the people involved: “Our workshops provide students with a supportive space for self-expression and community-building inside an institution that can feel lonely and isolated.”
The book release was held at High Concept Laboratory at 1401 W. Wabansia, where original copies of the work of dozens of poets and visual artists featured in the book were up on the walls. The event also featured a poetry slam.
Roger Bonair, a poet and a teacher in the program, hosted the live performance. He acknowledged the difficulty of reaching or materially changing the life of a person in the detention center, but went on to say that that change isn’t the only aim of the program. Free Write also looks to help students define themselves not just by whatever crime put them into jail, but also as something more. “Maybe they still think of themselves as a hustler, but maybe now it’s, ‘I’m a hustler and a poet, a hustler and a painter, or a murderer and an MC.’”
The poetry itself is often grim, a lot of young people dealing with difficult situations, but at the same time, much of it is aspirational. It’s full of young men and women hoping to be better or do something else with their lives. What it’s not full of is irony or artifice.
The first lines from this poem by Kenneth L. are an example of that sincerity.
“Life will be tough
if you don’t believe to change
Life will be tough
if you don’t receive the change
Life will be tough
from now til then.”
Free Write’s work is ongoing. Information about the program is available on their website, freewritejailarts.org.